Historical context: The Leiden period (Self-portraits Part I)

   Ingredients used (etching) - (Self-portraits Part I)

    Medium (painting) - (Self-portraits Part I)

    Mixture: Tallow and oil (Self-portraits Part I)

P

   Pitch - (Self-portraits Part I)

R

   Rembrandt: Generalities (Rembrandt's method)

   Rembrandt: Rembrandt's beginings (Self-portraits Part I)

   Rosin (white pitch) - (Self-portraits Part I)

S

   Scenes of everyday life (Scenes of intimate life)

   Self-portraits: Introduction (Self-portraits Part I)

   Sel-portraits with uncovered head (Self-portraits Part I)

   Self-portraits with covered head (Self-portraits Part I)

   Self-portraits of emotion expression (Self-portraits Part I)

   Segers Hercules: Segers and Rembrandt (Self-portraits Part I)

  

T

   Torrentius Johannes - (Self-portraits Part I)

   Transfer of a drawing (Scenes of intimate life)

   Turpentine (resin) - (Self-portraits Part I)

   Turpentine oil (Self-portraits Part I)

V

   Van Vliet: The collaboration Rembrandt - van Vliet (Self-portraits Part I)

   Varnish (oil painting) - (Self-portraits Part I)

   Varnish (hard transparent - etching) - (Self-portraits Part I)

   Varnish (soft - etching) - (Self-portraits Part I)

   Volume: Perception and representation of volume (Rembrandt's method)

W

   Wax (Self-portraits Part I)

   Whiten the varnish (Scenes of intimate life)